This chapter examines forms of negative identity in terms of two intersecting verbal axes: Joyce‟s own term, gnomon and Jacques Derrida‟s term hauntology. Both terms gesture towards forms of negative identity which are the very antithesis of foundational or fundamental identity and I will trace this argument through some of Joyce‟s writings.Ye
This thesis sets out to examine James Joyce’s collection of short stories Dubliners. The introductio...
Irish male identity in James Joyce\u27s and Samuel Beckett\u27s novels shows evidence of abjection. ...
What do Hamlet and Ulysses say about aspects of the self that were important in their historical mom...
This thesis examines the role of identity in James Joyce's Ulysses and Henry Roth's Call It Sleep. I...
This dissertation argues that James Joyce\u27s fiction is ethnographic. In Dubliners, Portrait of th...
In James Joyce’s Ulysses, I believe that Stephen Dedalus enacts a heteroglossic discourse in episode...
This paper examines the crucial role played by religion in the construction of the identity of Steph...
Written with Ireland as the setting of the novel, The Portrait of an Artist as a Young Man, brings f...
My aim in the following essay is a double one: both to revisit an old haunt of Joycean criticism – a...
The present paper sheds new light on the prominent role of man’s home whether real or fictional on t...
Thesis (S.B. in Literature)--Massachusetts Institute of Technology, Dept. of Humanities, 2009.Includ...
This paper argues that Joseph Strick's film adaptations of James Joyce's A Portrait of the Artist ...
James Joyce remains a logocentric figure, a position confirmed in his perceived relation to Dante wi...
The involvement of politics and colonization is a key element in Irish literature, and James Joyce’s...
A Portrait of the Artist as a Young Man explores what it means to be an artist in late nineteenth ce...
This thesis sets out to examine James Joyce’s collection of short stories Dubliners. The introductio...
Irish male identity in James Joyce\u27s and Samuel Beckett\u27s novels shows evidence of abjection. ...
What do Hamlet and Ulysses say about aspects of the self that were important in their historical mom...
This thesis examines the role of identity in James Joyce's Ulysses and Henry Roth's Call It Sleep. I...
This dissertation argues that James Joyce\u27s fiction is ethnographic. In Dubliners, Portrait of th...
In James Joyce’s Ulysses, I believe that Stephen Dedalus enacts a heteroglossic discourse in episode...
This paper examines the crucial role played by religion in the construction of the identity of Steph...
Written with Ireland as the setting of the novel, The Portrait of an Artist as a Young Man, brings f...
My aim in the following essay is a double one: both to revisit an old haunt of Joycean criticism – a...
The present paper sheds new light on the prominent role of man’s home whether real or fictional on t...
Thesis (S.B. in Literature)--Massachusetts Institute of Technology, Dept. of Humanities, 2009.Includ...
This paper argues that Joseph Strick's film adaptations of James Joyce's A Portrait of the Artist ...
James Joyce remains a logocentric figure, a position confirmed in his perceived relation to Dante wi...
The involvement of politics and colonization is a key element in Irish literature, and James Joyce’s...
A Portrait of the Artist as a Young Man explores what it means to be an artist in late nineteenth ce...
This thesis sets out to examine James Joyce’s collection of short stories Dubliners. The introductio...
Irish male identity in James Joyce\u27s and Samuel Beckett\u27s novels shows evidence of abjection. ...
What do Hamlet and Ulysses say about aspects of the self that were important in their historical mom...